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https://laughingsquid.com/album-covers-cleverly-superimposed-over-current-locations/

 

NaPoWriMo2018 is over.  What a great ride and the beginning of pushing myself to write more.  So I’m going to keep going.  Next milestone is 100 days of blogging/writing/some poetry. It won’t be poetry daily but it will be a log of my writing journey.  I hope you enjoy it!

Today I will share an assignment for my Maps of the Imagination class at Writers Village University.

The point of the class is to not prepare too much in advance which really suits my natural way of approaching writing: take a thought, start writing, see what comes, fashion a little bit, throw it up here, see what comes over the long run.  For this class we are not to plan.

The theme that has emerged for me is “secrets” and you’ve seen the result of some of that here on these pages.  I’m dutifully playing conduit to ideas that want expression.  This is week 2’s assignment response:

“A picture is a secret about a secret, the more it tells you the less you know.” Diane Arbus-

Decades later someone recreates music album covers by matching them with the original scene. What is the impetus that requires we search beyond the boundaries to discover real, as opposed to imagined, meaning – the neighborhood in disarray never previously glimpsed – our attention drawn to the posing girl with the happy smile? Who would recognize the torn and hanging screens, laundry on the bannister, cigarette butts and empty bottles? Even now these objects remain secrets, the years hiding them carefully away.

“And above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places. Those who don’t believe in magic will never find it.” Roald Dahl

Behind the house the bicycle path I followed was known only to me. Eyes blindfolded by looking saw only grass mashed but alive, blue stone, pretty weeds with purples leaves and flowers saved from the sun by the high oaks watching silently, taking notes on the secrets I would never share. The migratory birds who followed their own secret paths were too high to care.

No one ever keeps a secret so well as a child. Victor Hugo

At night they, the secrets – come out to play, dressed as if for Sunday dinner, heralding one another and telling the stories that are kept from the day (but not from the trees, those old sentinels). I pretend not to attend to their noise, having better things to do like watch the closet door to make sure it stays shut and check under my bed for things that scuttle and rustle. It’s just the wind, Mom says, ruffling the curtains. But then she goes away and I know that she has her own secrets too.

Sculpture isn’t always taking away. With clay, you’re always adding to in order to find that thing a carver would find hidden. Energy needs hands willing to shape it. It’s a secret open to anyone who will receive it.

and a prose poem (I think.  I’m still learning to define them which is difficult because it seems that everyone else is too) because it came and asked nicely to be included. .

In Australia Aborigines travel by song lines, follow paths of energy as if clearly conspicuous.  Overhead the birds follow coastlines, mountains, sun and stars sans map as if they are stories told by troubadours and griots, whole libraries existing only sound to sound pulsing over air, unseen. Listen.  The planets, their moons and rings, solar winds, whole constellations are all singing and just waiting for you to hear.

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