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If you make art long enough, you find themes.  Myth runs through mine – myths from long ago and as new as what I write on the page.  I am a firm believer in updating myths to speak to those who are seeking that wisdom now.

Today’s mask has a lineage.  And I will share that with you.

Today’s mask:

today's mask with a print copy of "Raven Knows It's Time to Wake."  The symbol on the forehead of the clay mask is the symbol that came to me as mine at Life is a Verb Camp, under the guidance of Mary Anne Radmacher.
today’s mask with a print copy of “Raven Knows It’s Time to Wake.” The symbol on the forehead of the clay mask is the symbol that came to me as mine at Life is a Verb Camp, under the guidance of Mary Anne Radmacher.

inspired by this collage:  Raven Knows It’s Time to Wake

Raven Knows It's Time to Wake (one of my paintings hanging in my favorite room - the bathroom)
Raven Knows It’s Time to Wake (one of my paintings hanging in my favorite room – the bathroom)

which borrowed from this sketchbook drawing

the sketchbook face that I copy and use for a lot of my collages, including Raven Knows It's Time To Wake
the sketchbook face that I copy and use for a lot of my collages, including Raven Knows It’s Time To Wake

 

whose title was inspired by this poem of mine:

WOMAN SONG 

Part I.      DREAMING

 

In the midst of scent

from white magnolias, lying quietly

beneath a galaxy of shooting stars,

I walk between the seconds

sweeping the face

of the boathouse clock.

 

On the edge of the abyss

between then and now and when

silver mists rise slowly

from the river; and somewhere

far away a loon swims

crying

for its mate.

 

Drifting in memories, where

broken dreams sleep

curled like hermit crabs

in stolen shells,

I swim into the dark,

push my fingers into mud

velvet as a kitten’s fur, and

pull up pearls.  I peel their

layers like rosebud petals to find

the sandgrain cores and lay them

quivering on an alter of red satin

 

surrounded by indigo voices;

sadness drifts like incense

before that altar where

someone stands in circled

illumination amid purple-

pink anemones.

She is crying but she makes

no sound; her tears become

an ocean on which pain rides,

foam on the crest of waves.

 

I am under water and I am not

drowning.  Through the azure

I see the foam turn into bubbles

that blow upon a bracing breeze

and break like tear drops.  I have

no need to catch them;  it is time

to let them go.

 

Dancing with iridescent rain-

bows in an ascending spiral

I break the surface, watch

tears turn into crystal dew, fall

like rain on blades of moonlit

grass, and discover

 

I am an eagle.  In my mouth I

hold a golden fish that

speaks my name.  I let

it go and it becomes a yellow

comet with an orange tail

that trails a word I cannot

read.  I fly into the sun and

 

through to find

I am a woman who

has been sleeping

 

and knows

 

it’s time

to wake.

 

which may have inspired this painting, Raven Dreams A World

Raven Dreams a World, 24 x 36 painting by Tammy Vitale
Raven Dreams a World, 24 x 36 painting by Tammy Vitale

 

Ravens belong to the Morrigan, a celtic maiden/mother/crone Trinity.  Morgaine is often represented as Morgan la Fey in the King Author myths, and certainly in The Mists of Avalon, in a slightly different light of course.  I’ve updated Morgaine here.

Myth is story.  Joseph Campbell says that myth is someone else’s religion.  I have a great little poster on my office wall that says “Unfold your own myth.”  You don’t have to take the story that was handed to you by your parents/siblings/friends/community/church/school/country.  You can write your own.  Because you ARE the hero of your own story, whether or not you realize you are telling it to yourself and others every single day through words and actions.  Pay attention.

Everything is Connected.  Anything is Possible.

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